REELS
SELECTED FILMS
SIX OF TWELVE
01Night Shift, ŌsakaDIRECTOR / DP14:202025
02Kaisha — The Long CommuteDIRECTOR / DP / EDIT22:052024
03Salt & IronDIRECTOR OF PHOTOGRAPHY08:442024
04Hanabi, InterruptedDIRECTOR / EDIT06:122023
05The Ferry at 4amDP / COLOURIST11:302022
06Concrete SeasonsDIRECTOR / DP09:582021
GRADED STILLS
DAVINCI RESOLVE — CUSTOM SHOW LUTS
INT. KITCHEN — 3200K PRACTICALS
EXT. PLATFORM — DUSK, 5600K
INT. STUDIO — SINGLE HARD SOURCE
ON COLOUR
COLD BASE WARM ACCENT NO CLIPPED SKIN
A cold base with one warm source. Skin stays where memory keeps it, and everything else is allowed to go blue.
Every project gets a show LUT built before the first day of shooting, so what the crew sees on the monitor is what lands in the grade. Documentary work is graded scene-by-scene from a single node tree; beauty work is graded twice — once for the skin, once for everything touching it.
SONY a7IIIANAMORPHIC 1.55xDAVINCI RESOLVEPREMIERE PROFIELD RECORDER